A hand holding a glass orb

GENERATION

Erich ArcherCGA Creative

A public exhibition of AI-native art, filmmaking, and creative systems.
Boston AI Week, September 24 to October 2, 2026.

[ 01 ]
Erich Archer Erich Archer Founder, CGA Creative
Boston

The Human.

Hi, Erich here.
I have questions.

What is AI changing about being human, and what are we supposed to do about it?

What happens to memory when we can reconstruct it? To creativity when generation is abundant? To expertise when anyone can access capability? What happens to photography when a generated image can compete with a photograph, to knowledge when millions of datasets become conversational, to work when the computer can type, calculate, research, organize, and build? And what happens to judgment when the AI can give us infinite options?

I'm producing an exhibit that explores these ideas and I'm looking for a few strategic partners to help me make it happen.

GENERATION at night: the storefront lit, the sign reading GENERATION by Erich Archer, visitors inside and the doors open to the sidewalk
[ 02 ]

The frontier is coming to Boston.

125+events in 2025
15,000+participants in 2025

Boston AI Week runs Sept 24 to Oct 2, 2026. These are the festival’s own 2025 numbers, and its stated goal for 2026 is to double them.

[ 03 ]

The Exhibit.

GENERATION is a public AI education initiative designed to help people engage with artificial intelligence through experimentation, creative practice, and firsthand experience.

The exhibition invites visitors to think more critically and personally about how AI is changing the way we create, work, learn, remember, and make decisions. My hope is that it can spark the kinds of learning journeys that shaped these projects and give people a clearer sense of their own place in a transition none of us has experienced before.

GENERATION is being developed as a repeatable, portable exhibition that can move throughout the year. The first year will serve as an East Coast pilot, with the goal of bringing the work to universities, companies, cultural and commercial spaces, malls, and vacant storefronts across Greater Boston, New Hampshire, Maine, and beyond.

Each project in the exhibition began with a question. I hope visitors leave thinking about one of their own.

The relative no one photographed. The dataset no one has thought to connect. The story that mattered, but no images of it exist.

Two visitors at the Rufus wall, the film on the monitor and the family documents in the case below
RufusVIDEO, FAMILY DOCUMENTS, AND PRINTS
The DIRECT station: the console on the table, the director’s chair, and the wall reading You direct. AI generates. You decide.
DirectVIDEO, A CONSOLE, AND A DIRECTOR’S CHAIR
The First Artist mandala: leaves arranged by colour on dark soil
The First ArtistVIDEO, THE CHILDREN’S TEXTBOOK, AND THE 4,000 IMAGES IT TOOK TO MAKE
Smarty Pants wall mockup
Smarty PantsA PRINTED SYSTEM MAP
Bubbles series wall mockup
LensesEIGHT REAL PHOTOGRAPHS AND ONE MADE BY AI
The Data Bakery station: the interface, the physical BAKE button, and the thermal printer with a receipt
The Data BakeryAN INTERACTIVE STATION WITH A THERMAL PRINTER
Additional Projects
AI and Inner Worlds·AI and Climate
AI and Small Business·AI and Belief·AI and Failure
[ 04 ]

The Location.

The exhibit installs in any storefront with real glass and about 2,000 square feet. A vacant unit spends a week as the busiest window on the block, and the neighborhood gets a cultural destination without building anything.

Option one: the vacant flagship corner on Newbury Street
OPTION 01 . NEWBURY STREETThe flagship corner2,700 square feet, glass on two streets, vacant since November 2025, available September 1.
Option two: a corner art space in Fort Point with glass on two streets
OPTION 02 . FORT POINTThe art space cornerA working gallery corner with glass on two streets and steady foot traffic.
Option three: the vacant corner beneath the gold Steaming Kettle on Court Street
OPTION 03 . COURT STREETUnder the kettleA vacant corner beneath one of Boston's oldest landmarks, steps from Government Center.
Option four: a gallery with a roll-up door open to a sidewalk crowd
OPTION 04 . IN PLAYThe roll-up frontA gallery whose whole front wall opens to the sidewalk, shown here on an opening night.
[ 05 ]

The Founding Partners.

I need help to make this happen. Here’s how I will overdeliver for my partners.

The GENERATION campaign end card, a partner name credited as Founding Partner
01 The Campaign

I’m making a cinematic campaign to promote the exhibit. You are named in it. I put paid media behind it across Boston.

A podcast title card reading Presented by, with the partner name beneath
02 The Podcast

I record conversations in the exhibit all week and cut the best of it into social content. You are named in every episode.

The GENERATION site and a printed poster, the partner credited on both
03 The Billing

Your name is on the site, on every printed piece, and on the patrons wall inside the exhibit.

A social post from CGA Creative, captioned in partnership with the partner
04 The Posts

I post every day the exhibit is open. I name you in all of it.

A ticket stub reading Admit One, with the partner name and the party nights
05 The List

You’re on the list. Opening night, partner night, and every mixer for the rest of the year. Bring your clients to the coolest events I can throw. I’ll be inviting everyone I know.

An engraved plate reading Founding Partner, the company name, GENERATION 2026
06 The Credit

You are one of three, and I will never offer a founding seat again.

$3,500 PER SEAT · THREE SEATS, ALL OPEN

Founding Partner support is for exhibition production, installation, and the advertising campaign that brings people through the door. Founding Partner recognition travels with the GENERATION exhibit for the entire first year. After that the sponsorship ends and the credit is permanent: Founding Partner, GENERATION, 2026. The work stays independent. No approvals, no branded installations, no products in the art.

The Program.

I will be there all week, working in public. Walk in and ask me how all of it was made and I will show you. We will record podcasts live in the exhibit, and run talks and mixers through the week.

“Erich delivered a mind-expanding and inspiring session to my students in my Harvard graduate course, Creativity and Innovation. I have developed great respect for Erich and his work and consider him to be an anchor of the Boston AI community. It’s been a privilege to get to know him and learn from him.”

Mike GrandinettiExecutive Fellow, Harvard Business School

Thank you for your consideration.

If you are interested, email me and we’ll set a time to talk.